It's got some good echo." References to the recording environment and process were made in the field-recorded interview segments made for the promotional CD release, Bone Machine: The Operator's Manual, which threaded together full studio tracks and conversation for a pre-recorded radio show format.īone Machine was the first Waits album on which he played drums and percussion extensively. Waits said of the bare-bones studio, "I found a great room to work in, it's just a cement floor and a hot water heater. What we like about Tom is that he is a musicologist. Prairie Sun's studio head Mark "Mooka" Rennick said, " gravitated toward these 'echo' rooms and created the Bone Machine aural landscape. Recording and production īone Machine was recorded and produced entirely at the Prairie Sun Recording studios in Cotati, California, in a room of Studio C known as "the Waits Room", located in the old cement hatchery rooms of the cellar of the buildings. The album cover-a blurry, black-and-white, close-up image of Waits apparently screaming while wearing a horned skullcap and protective goggles-was taken by filmmaker Jesse Dylan, son of Bob Dylan. Recorded in a room in the cellar area of Prairie Sun Recording studios, described by Waits as "just a cement floor and a hot water heater", the album is often noted for its rough, stripped-down, percussion-heavy style, as well as its dark lyrical themes revolving around death and chaos. The album marked Waits' return to studio albums, coming five years after his previous effort Franks Wild Years (1987). It won a Grammy Award for Best Alternative Music Album and features guest appearances by David Hidalgo, Les Claypool, Brain, and Keith Richards. ![]() ![]() ![]() Bone Machine is the eleventh studio album by American singer and musician Tom Waits, released by Island Records on September 8, 1992.
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